Full Version: Cat Power - The Greatest
I have seen Red and FUB talking about her a lot so when I saw today that her new CD had leaked a few days ago I decided to download it and give her a try. I haven't listened to it yet but just letting everyone know its out there.
it is out there and i have downloaded it. i have a feeling that the real record will be richer sonically. the leaked version is kind of too echoey. but i like it. i don't quite think the direction she's going is good for her. it's bluesier, more new orleans thing than her past efforts.
the best song is the last song, love and communication.
the best song is the last song, love and communication.
I downloaded the CD but also a song called Free. Free was really cool sounding. I am on song number 3 of the Greatest and it doesn't sound like its the same style of Free at all though I still like them.
you really should download her album, you are free.
listen to the songs, he war and maybe not. then get back to me. those songs are amazing.
then go listen to moon pix, her saddest album, and cry with me. tee hee.
i love chan marshall. she is so weird.
listen to the songs, he war and maybe not. then get back to me. those songs are amazing.
then go listen to moon pix, her saddest album, and cry with me. tee hee.
i love chan marshall. she is so weird.
I am downloading Moon Pix as I type but it might take a little bit. You are free is next I guess 
Also download Good Woman from You are Free. And Colors and the Kids and Metal Heart from Moon Pix! I fucking love Chan.
I'm gonna wait till January to hear the new album. Don't want to ruin it. I'll probably end up downloading it but I'm hoping I don't.
I really want Speaking for Trees now.
I'm gonna wait till January to hear the new album. Don't want to ruin it. I'll probably end up downloading it but I'm hoping I don't.
I really want Speaking for Trees now.
The greatest has really bad cover art:
oh i know.
Oh and Fool too! (from You are Free)
The songs I've advised you to download are some of her best songs in my opinion.
The songs I've advised you to download are some of her best songs in my opinion.
how about cross bones style from moon pix. i love that song. what i love about her is while she is mainly a sadcore artist, she has some danceable tracks up her sleeve, like free, cross bones style, could we (from the greatest) and nude as the news.
oh man, download nude as the news from what would the community think?..
oh man, download nude as the news from what would the community think?..
Haha, that album cover is funny in a weird "Hehe...Cool" way.
QUOTE(fucked up blair23 @ Dec 17 2005, 09:08 PM)
the best song is the last song, love and communication.
[right][snapback]55330[/snapback][/right]
[right][snapback]55330[/snapback][/right]
That and the second to last song Hate are my two favorites from the CD.
QUOTE(fucked up blair23 @ Dec 18 2005, 03:26 AM)
how about cross bones style from moon pix. i love that song. what i love about her is while she is mainly a sadcore artist, she has some danceable tracks up her sleeve, like free, cross bones style, could we (from the greatest) and nude as the news.
oh man, download nude as the news from what would the community think?..
[right][snapback]55339[/snapback][/right]
oh man, download nude as the news from what would the community think?..
[right][snapback]55339[/snapback][/right]
the video for cross bones style is just, cool.
So. what is everyone thinking of The Greatest?
glad i didn't spend more than $9.00 for it. for an artist who is supposed to be great, it's a bit underwhelming. sounds a lot like beth orton. not a bad cd really. it probably needs a few more listens. my intial reaction though is this album could really use a punch or something. it's a tad too meek and mellow. time will tell though, if my opinion changes.
i thought it was merely good when i first listened but on repeated listening, it got even better.
the greatest is not warming up to me. or vice versa. whether i'm too in love with her past records or i'm just not really in the mood for bluesy new orleans kind of music, which the greatest is.
i love "love and communication" a lot though.
i love "love and communication" a lot though.
Has anyone seen the video for Living Proof yet?
is it a single??
i still have not. i bet a youtube link exists.
i still have not. i bet a youtube link exists.
head over to matadorrecords.com and head to her main page then click music/video from the dropdown menu:)
Here's the article from today's NY Times:
Another day, another fifth of Scotch.
And that wasn’t all. Chan Marshall said her mornings began with a minibar’s worth of Jack Daniel’s, Glenlivet and Crown Royal. Mini bottles depleted, this indie singer-songwriter, known as Cat Power, would nurse a bottle of Scotch over the course of the day. On nights she performed, she took the antianxiety drug Xanax.
By the time she would weave onstage, beer in one hand, cigarette in the other, Ms. Marshall, 34, was wasted. And it showed. It would seem that every fan has a Cat Power concert story: the time she mooned the audience, cursed out techies, talked to a squirrel (outdoors), played three chords and changed her mind (song after song) or played fragments of a few songs and then told everyone to get out, even encouraging fans to sue her.
That was the old Chan Marshall.
The new Chan Marshall is, by most accounts, significantly improved, as critics have widely noted this year. Reviewing one of Cat Power’s performances at Town Hall in June, Jon Pareles of The New York Times wrote, “To see her so comfortable onstage was no small surprise to her longtime fans,” and Time Out New York called the shows “triumphant, in the classic show-biz sense.”
Of the New York audiences, Ms. Marshall said: “I never noticed they really liked me before. Man, these people stuck with me.”
Performing at Irving Plaza last week, she playfully plucked and strutted with a sly grin, as if to say, “I see you seeing me, and I like what we see.” Sure, audiences saw trademark kooky behavior, some awkward fidgeting, but she made it through her set, words and music intact.
Afterward Ms. Marshall (whose first name is pronounced shawn) spoke at length for the first time about her hospitalization and recovery. In jeans and a black tank top, wearing large, round copper earrings, she smoked Parliaments and sipped green tea in her room at the Mercer Hotel in SoHo. She said she was sober and happy. She qualified the term sober: she owned up to having had seven drinks in seven months.
Seven months out of the hospital, and with 47 gigs under her belt in that time, Ms. Marshall said that she took Seroquel to calm her enough to sleep, and the antidepressant Effexor, and that she made a concerted effort to eat healthfully. As a result, she said, she is feeling better.
Her drinking began when she was young, she said. Very young. As Ms. Marshall tells it, her mother gave her beer in a baby bottle and she grew up spending time in bars. As a teenager she drank and got stoned, which led to other drugs. She pinpointed her nonstop touring in 1998 as the catalyst for her descent into life-altering, chronic substance abuse.
By 2003 the downward spiral had accelerated. “Even playing all my shows I was always intoxicated, always kind of not there, which led to the depression,” Ms. Marshall said. “It was more about the uncomfortableness with just being in my own skin, and that’s why the alcohol was always with me.”
With bizarre stage antics and aborted concerts, her erratic reputation was firmly established. Reviewing a show in The Times in 1999, the critic Ben Ratliff described her set as “staggering for its inversion of standard rock performance ethics,” adding, “Gone was the idea of exultation, or of showing what one can do; in its place was outrageously passive-aggressive behavior and nonmusicianship.”
Still, fans flocked, some more than once, to see the singer with the long bangs obscuring her face — and to see a train wreck. Yet despite her condition, and with the help of veteran Memphis soul musicians backing her up, she managed in three days in August 2005 to record her now critically lauded seventh album, “The Greatest.”
About two weeks before its release in January, Ms. Marshall said, she lost her mind: “I was looking at death. I wanted to die.” Holed up in her Miami apartment for seven days, she turned off the phone, played Miles Davis on repeat, stopped eating and sleeping. She drank to oblivion and prayed to die.
Susanna Vapnek, a painter, came over to check on her friend. Ms. Marshall was acting bizarrely, obsessively chasing “bad spirits” around her apartment with a lighter and sage. Ms. Vapnek bathed her and stayed by her side. Eight hours later she took Ms. Marshall to Mount Sinai Medical Center in Miami, where she was admitted.
Confined for psychiatric treatment, Ms. Marshall recalled refusing to bathe, hiding from her reflection and wanting to be drunk. “I asked God, I said, I’m tired, I can’t do this,” she said. “I was asking him to just take me.” She was terrified by the other patients who screamed at night and were comatose during the day.
After seven days in the hospital she was allowed to leave. “It was like I was in glue,” she said of the heavy doses of lithium given her.
Even though “The Greatest” was getting good reviews, a tour in support of the record had to be postponed because of her problems. Her label, Matador, estimated that it lost more than $100,000 on marketing and promotion, paying her supporting band (including a onetime member of Al Green’s band) and canceled shows.
Once the tour got under way in April, Matador bought insurance to be on the safe side. But now that the tour is a success, and the album has sold more than 100,000 copies, Matador is rereleasing the record, with new album cover art and a new promotional push.
The onstage anxiety is still there, Ms. Marshall admitted. But she said her self-hatred had abated, and in its place stood a woman ready to engage her fans.
On the heels of 11 shows in September, she plans to take October off to relax and then resume touring in Europe in November. Her next album, “Sun,” is already written, and she talks of a second covers album; top of the list are James Brown and Billie Holiday songs.
Like Will Oldham, another indie-folk rocker who is currently starring in the film “Old Joy,” Ms. Marshall is considering a foray into acting. She said that the cult director Wong Kar-wai invited her to play Jude Law’s ex-lover in the movie he is now shooting. Mr. Wong, she said, told her he was in the habit of playing “The Greatest” for his actors before each scene.
Ms. Marshall spoke of auditioning to join the cast of “Saturday Night Live” next summer. Then again, maybe her future involves domesticity. She said she was ready for a relationship and wanted to have children.
“My favorite things in the world are cookin’, kids and animals and falling in love,” Ms. Marshall said, “but you don’t get to do that all the time.”
--------awww
Another day, another fifth of Scotch.
And that wasn’t all. Chan Marshall said her mornings began with a minibar’s worth of Jack Daniel’s, Glenlivet and Crown Royal. Mini bottles depleted, this indie singer-songwriter, known as Cat Power, would nurse a bottle of Scotch over the course of the day. On nights she performed, she took the antianxiety drug Xanax.
By the time she would weave onstage, beer in one hand, cigarette in the other, Ms. Marshall, 34, was wasted. And it showed. It would seem that every fan has a Cat Power concert story: the time she mooned the audience, cursed out techies, talked to a squirrel (outdoors), played three chords and changed her mind (song after song) or played fragments of a few songs and then told everyone to get out, even encouraging fans to sue her.
That was the old Chan Marshall.
The new Chan Marshall is, by most accounts, significantly improved, as critics have widely noted this year. Reviewing one of Cat Power’s performances at Town Hall in June, Jon Pareles of The New York Times wrote, “To see her so comfortable onstage was no small surprise to her longtime fans,” and Time Out New York called the shows “triumphant, in the classic show-biz sense.”
Of the New York audiences, Ms. Marshall said: “I never noticed they really liked me before. Man, these people stuck with me.”
Performing at Irving Plaza last week, she playfully plucked and strutted with a sly grin, as if to say, “I see you seeing me, and I like what we see.” Sure, audiences saw trademark kooky behavior, some awkward fidgeting, but she made it through her set, words and music intact.
Afterward Ms. Marshall (whose first name is pronounced shawn) spoke at length for the first time about her hospitalization and recovery. In jeans and a black tank top, wearing large, round copper earrings, she smoked Parliaments and sipped green tea in her room at the Mercer Hotel in SoHo. She said she was sober and happy. She qualified the term sober: she owned up to having had seven drinks in seven months.
Seven months out of the hospital, and with 47 gigs under her belt in that time, Ms. Marshall said that she took Seroquel to calm her enough to sleep, and the antidepressant Effexor, and that she made a concerted effort to eat healthfully. As a result, she said, she is feeling better.
Her drinking began when she was young, she said. Very young. As Ms. Marshall tells it, her mother gave her beer in a baby bottle and she grew up spending time in bars. As a teenager she drank and got stoned, which led to other drugs. She pinpointed her nonstop touring in 1998 as the catalyst for her descent into life-altering, chronic substance abuse.
By 2003 the downward spiral had accelerated. “Even playing all my shows I was always intoxicated, always kind of not there, which led to the depression,” Ms. Marshall said. “It was more about the uncomfortableness with just being in my own skin, and that’s why the alcohol was always with me.”
With bizarre stage antics and aborted concerts, her erratic reputation was firmly established. Reviewing a show in The Times in 1999, the critic Ben Ratliff described her set as “staggering for its inversion of standard rock performance ethics,” adding, “Gone was the idea of exultation, or of showing what one can do; in its place was outrageously passive-aggressive behavior and nonmusicianship.”
Still, fans flocked, some more than once, to see the singer with the long bangs obscuring her face — and to see a train wreck. Yet despite her condition, and with the help of veteran Memphis soul musicians backing her up, she managed in three days in August 2005 to record her now critically lauded seventh album, “The Greatest.”
About two weeks before its release in January, Ms. Marshall said, she lost her mind: “I was looking at death. I wanted to die.” Holed up in her Miami apartment for seven days, she turned off the phone, played Miles Davis on repeat, stopped eating and sleeping. She drank to oblivion and prayed to die.
Susanna Vapnek, a painter, came over to check on her friend. Ms. Marshall was acting bizarrely, obsessively chasing “bad spirits” around her apartment with a lighter and sage. Ms. Vapnek bathed her and stayed by her side. Eight hours later she took Ms. Marshall to Mount Sinai Medical Center in Miami, where she was admitted.
Confined for psychiatric treatment, Ms. Marshall recalled refusing to bathe, hiding from her reflection and wanting to be drunk. “I asked God, I said, I’m tired, I can’t do this,” she said. “I was asking him to just take me.” She was terrified by the other patients who screamed at night and were comatose during the day.
After seven days in the hospital she was allowed to leave. “It was like I was in glue,” she said of the heavy doses of lithium given her.
Even though “The Greatest” was getting good reviews, a tour in support of the record had to be postponed because of her problems. Her label, Matador, estimated that it lost more than $100,000 on marketing and promotion, paying her supporting band (including a onetime member of Al Green’s band) and canceled shows.
Once the tour got under way in April, Matador bought insurance to be on the safe side. But now that the tour is a success, and the album has sold more than 100,000 copies, Matador is rereleasing the record, with new album cover art and a new promotional push.
The onstage anxiety is still there, Ms. Marshall admitted. But she said her self-hatred had abated, and in its place stood a woman ready to engage her fans.
On the heels of 11 shows in September, she plans to take October off to relax and then resume touring in Europe in November. Her next album, “Sun,” is already written, and she talks of a second covers album; top of the list are James Brown and Billie Holiday songs.
Like Will Oldham, another indie-folk rocker who is currently starring in the film “Old Joy,” Ms. Marshall is considering a foray into acting. She said that the cult director Wong Kar-wai invited her to play Jude Law’s ex-lover in the movie he is now shooting. Mr. Wong, she said, told her he was in the habit of playing “The Greatest” for his actors before each scene.
Ms. Marshall spoke of auditioning to join the cast of “Saturday Night Live” next summer. Then again, maybe her future involves domesticity. She said she was ready for a relationship and wanted to have children.
“My favorite things in the world are cookin’, kids and animals and falling in love,” Ms. Marshall said, “but you don’t get to do that all the time.”
--------awww
beans beans the wonderful fruit the more you eat the more you toot the more you toot the better you feel so lets have beans for every meal!!!!!tooty toot toottotoottotot your little army of stand up fuck heads is getting on my nerves
QUOTE(fucked up blair23 @ Sep 20 2006, 11:09 PM) [snapback]74204[/snapback]
Here's the article from today's NY Times:
Another day, another fifth of Scotch.
Wow..... that actually IS a really inspiring story. very nice
yeah, i'm so happy for her. but i will miss the bottomless sadness in her songs in moon pix. happy people tend to write happy songs.
Atta girl, Chan.
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